Here’s where my journey started.

Hi, I’m Luke. I’m a UK-based videographer and editor with a real passion for telling stories through film - especially when it comes to cars.

It all began with a borrowed camera, a group of mates, and a car meet in a cold car park somewhere in the UK. No plan, no brief - just a love for cars and a curiosity to capture them in motion.

Back then, I was filming anything I could: friends drifting in car parks, late-night convoys, track days, and engine rebuilds in tiny garages. I’d shoot all day, edit all night, and spend hours learning by doing - usually with YouTube open on one screen and a growing pile of memory cards on the desk.

I didn’t have the fanciest gear or the cleanest portfolio, but I did have the drive. And that was enough to keep me going.

A man standing outdoors on a race track, holding a motorcycle helmet, wearing a blue T-shirt, camouflage cargo pants, and sneakers, with a scenic background of trees and sky.

Where my journey has taken me.

Today, that same passion has taken me across the UK and Europe, working with some of the biggest names in the automotive world - from Pagani and Ferrari, to Bentley UK, Honda, Subaru, and Speedhunters.

I’ve filmed product launches, race weekends, behind-the-scenes factory tours, social campaigns, and viral adverts. My work has been used for global brand marketing, YouTube content, car culture documentaries, and more.

But I’ve never forgotten where it started - and I still bring that same energy and hands-on spirit to every project, whether it’s a million-pound hypercar or a passion project on a shoestring.

Explore my portfolio
A man sitting outdoors, wearing a striped jacket, hoodie, and goggles while operating a remote control drone. Another person is sitting in the background.

Here’s a list of the kit I use.

Great storytelling needs the right tools, and I’ve spent years building a kit that helps me capture clean, cinematic visuals in any environment. Whether we’re shooting a sunrise rolling shot, a behind-the-scenes garage feature, or a fast-paced event, I come prepared with a setup that’s reliable, adaptable, and built for quality.

Here’s a quick look at what I typically work with:

  • 4k - 8k Cameras

  • Drone for the intended use * We have a lot of drones*

  • Audio Equipment

  • Lighting Gear

  • Edited and Coloured in Davinci Resolve, Premiere Pro, AE

A person crouching behind a camera setup, taking a photo of a modified sports car inside an abandoned building with a damaged, partially collapsed roof.